Choreography in Motion

Choreography in Motion

Showcasing Performance & Competition Works

Showcasing Performance & Competition Works

Solo Competition Choreography - Performance Excerpts

Solo Competition Choreography
Performance Excerpts

Featuring YAGP Final Round Award Winners, Finalists, & Regional Winners

Featuring
YAGP Final Round
Award Winners, Finalists, & Regional Winners

Ensemble/Pas de Deux Choreography - Performance Excerpts

Ensemble/Pas de Deux Choreography Performance Excerpts

Featuring YAGP Finals Award Winners, Regional Winners, & Studio Creation Process

Featuring
YAGP Finals Award Winners, Regional Winners, & Studio Creation Process

Body Scan - Virtual Pas de Deux Performance

Body Scan
Virtual Pas de Deux Performance

Contemporary Ballet Pas de Deux - Created for Movement Headquarters Ballet Co.

Contemporary Ballet
Pas de Deux
Created for Movement Headquarters Ballet Co.

Contemporary Ballet Pas de Deux
Created for Movement Headquarters Ballet Co.

My Articles


Education


Preparing Classically Trained Dancers for Contemporary Repertoire


Basic Tenets of Contemporary Dance


From the Male Teacher's Perspective: Should I Teach Hands-On?


How to Nurture Checked-Out Students & the Prodigies


The Importance of Ballet for Younger Dancers


Balancing Dance & School Work


How I Grew to Love Teaching Adults Dance


How to Deal with Student Pushback


8 Contactless Corrections Your Students Can Give Themselves



Competition

Managing Competition Mishaps


What to Consider When Finding & Working with a Competition Solo Choreographer


5 Things Competition Judges Want You to Know



Features


Barry Kerollis, a BalletTeacher Who Prepares Students of All Ages for the Stage


As I Lose My Line, I Gain...


Here's How - and Why - To Treat Your Freelance Teaching Career Like a Business


48 Creative Geniuses Who Use Blogging to Promote Their Art (#24) 


Is New York City Still Fertile Ground for Smaller Ballet Companies?


Why I Charge One Hourly Rate


Why I Ditched My Arch Enhancers & Decided to Work on My Feet Instead


How Quarantine Healed Me - and Made Me a Better Teacher


After Retiring From Performing, I Went Into Debt. Here's How I'm Digging Myself Out


Dancing in the Epicenter


During Covid-19, Dancers Must Reframe What It Means to Be Resilient

Movement Headquarters Aims to #BringBalletBack



Podcast, Blog, and Other Media


Pas de Chát: Talking Dance - Podcast


Life of a Freelance Dancer - Blog

Ballet Rising w/Casey Herd


Vis-a-Vis w/Miami Dance Hub


Education


Preparing Classically Trained Dancers for Contemporary Repertoire


Basic Tenets of Contemporary Dance


From the Male Teacher's Perspective: Should I Teach Hands-On?


How to Nurture Checked-Out Students & the Prodigies


The Importance of Ballet for Younger Dancers


Balancing Dance & School Work


How I Grew to Love Teaching Adults Dance


How to Deal with Student Pushback


8 Contactless Corrections Your Students Can Give Themselves



Competition

Managing Competition Mishaps


What to Consider When Finding & Working with a Competition Solo Choreographer


5 Things Competition Judges Want You to Know



Features


Barry Kerollis, a BalletTeacher Who Prepares Students of All Ages for the Stage


As I Lose My Line, I Gain...


Here's How - and Why - To Treat Your Freelance Teaching Career Like a Business


48 Creative Geniuses Who Use Blogging to Promote Their Art (#24) 


Is New York City Still Fertile Ground for Smaller Ballet Companies?


Why I Charge One Hourly Rate


Why I Ditched My Arch Enhancers & Decided to Work on My Feet Instead


How Quarantine Healed Me - and Made Me a Better Teacher


After Retiring From Performing, I Went Into Debt. Here's How I'm Digging Myself Out


Dancing in the Epicenter


During Covid-19, Dancers Must Reframe What It Means to Be Resilient

Movement Headquarters Aims to #BringBalletBack



Podcast, Blog, and Other Media


Pas de Chát: Talking Dance - Podcast


Life of a Freelance Dancer - Blog

Ballet Rising w/Casey Herd


Vis-a-Vis w/Miami Dance Hub